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Name: OutKast – Aquemini Genre: Rap Hip-Hop Year: 1998 Label: LaFace Producer: Babyface (exec.), Mr. DJ, Organized Noize, OutKast Format: mp3 320 kbps Duration: 00: 74: 47 Size: 165 Mb Tracklist: 01 Hold On, Be Strong (1:11) 02 Return Of The “G” (4:49) 03 Rosa Parks (5:24) 04 Skew It On The Bar-B (3:15) 05 Aquemini (5:19) 06 Synthesizer (5:11) 07 Slump (5:09) 08 West Savannah (4:03) 09 Da Art Of Storytellin’ (Part 1) (3:43) 10 Da Art Of Storytellin’ (Part 2) (2:48) 11 Mamacita (5:52) 12 SpottieOttieDopaliscious (7:07) 13 Y’All Scared (4:50) 14 Nathaniel (1:10) 15 Liberation (8:46) 16 (6:10).
. ' Released: October 6, 1998. ' Released: November 1998.
' Released: January 1999 Aquemini is the third studio album by American duo. It was released on September 29, 1998,.
The title is a of the two performers' signs: and , which is indicative of the album's recurring theme of the differing personalities of the two members. The group recorded the majority of the album in 's Bosstown Recording Studios and, both in Atlanta, Georgia.
Released as the follow-up to the duo's 1996 album, Aquemini expands on the previous record's -inspired compositions by incorporating live instrumentation. The commercial success of ATLiens allowed for more creative freedom for the group, which led to the members self-producing the majority of the tracks. The band employed a large number of musicians for the album, who frequently entered and exited the studio throughout the recording process and had a major influence on the writing development of the album's songs. Lyrically, Aquemini explores various themes including human nature, addiction, and interpersonal relationships.
The album was certified in November 1998, only two months after its release, and was certified on July 2, 1999 by the. Aquemini peaked at number two on both the and the charts. Four of the album's tracks had already or would later become, although some were limited (promotional) releases and not available commercially. The record also received rave reviews from music critics, who praised the album's musicality and unique lyrical themes. It was ranked at number 500 in the book version of 's. ” Emma Warren of, on the record's musical style.
Big Boi described the music on the album as 'very experimental' noting that it featured live instrumentation that included horns, guitar, piano, and harmonica. 's Steve Huey detected the 'ethereal futurism' of ATLiens in the music on Aquemini, but also noted that 'more often Aquemini plants its feet on the ground for a surprisingly down-home flavor'.
He also observed a 'Southern earthiness and simultaneous spirituality' in Organized Noize's production work on the record. Lyrically, much of Aquemini features introspection about the desolation of the. Overarching themes addressed on the record include, precarious, and freedom from self-inflicted struggles. Other subjects include excessive reliance on technology and the Atlanta club scene. On the record, the group often shifts between -inspired topics and the harsh realities of urban life. Saul Austerlitz of the notes the central theme of the group's 'ability to move between two worlds-the G-funk glamorized by the and and the group's own spacier, more poetic excursions' in the album. Another theme is the duality of the two members and their differing personalities, with Big Boi as 'the player' and Andre 3000 as 'the poet', according to the album's cover.
Big Boi generally covers the more conventional hip-hop topics such as his childhood in the South and attractive women, while Andre 3000 discusses more unorthodox themes. In contrast to much of hip hop music in the late 1990s, OutKast did not tone down the regional qualities, like the break on 'Rosa Parks' and distinctive slang and diction throughout. The duo experimented with several delivery styles on the record, using 'relaxed, hyper, distorted, speedy and conversational presentations.' Songs Tracks 1–8. ” —, on the album's legacy Critics hailed the recording as OutKast's most fully realized up to that time and one of the best of the 1990s.
Steve Huey wrote: ' Aquemini fulfills all its ambitions, covering more than enough territory to qualify it as a virtuosic masterpiece, and a landmark hip-hop album of the late '90s'. Observed that Aquemini is 'perhaps OutKast's best effort' and 'a huge commercial and artistic success'. Matt Wink concluded that OutKast with this album 'carved their place in the game and grabbed the world's attention.
No two people with a similar background could be more different and no two artists could have made this masterpiece.' Labeled the album 'OutKast's third brilliant slice of hip-hop'.
Wrote that 'Atlanta's reputation as hip-hop's most avant-garde area code – the Long Island of the Nineties – was cemented' with this effort. In a column for, Tony Green wrote that 'OutKast's Aquemini dispels any notion that hip-hop is out of sonic ideas. If anything, it shows that the genre's appetite for new sounds is as ravenous as ever.'
According to Emma Warren from, this album is 'a high point of 90s hip-hop' and proof that 'the old push and pull between the east and west coast of American hip-hop was over'. Tim Stelloh of felt that ' Aquemini far surpassed OutKast's previous release ATLiens , and made the group one of those rare commercial anomalies—kind of like Nirvana, Rage Against the Machine, or Public Enemy'. Several reviewers of 's (2012) perceived influence from Aquemini in the record's production and aesthetic. Track listing Track listing and samples compiled from album liner notes. Title Writer(s) Producer(s) Length 1.
'Hold On, Be Strong'. Patton. Benjamin Outkast 6:10 Total length: 74:47 Notes.
The vinyl edition moves 'Chonkyfire' to the follow-up track 'Y'all Scared'. The clean version of the album has all of the skits in between those songs removed. The interlude 'Nathaniel' was omitted, as it was the fifth verse of 'Liberation'. 'Hold On, Be Strong' features vocals by 4.0, better known as The Four Phonics. 'Slump' features vocals by Backbone and.
'Mamacita' features vocals by Masada, and Buulllllll!. 'SpottieOttieDopaliscious' features vocals by. 'Liberation' features vocals by, and Sample credits. 'Return of the 'G' contains interpolations from '. 'Rosa Parks' contains interpolations from 'Cancion de Amor'. 'Skew It on the Bar-B' contains an interpolation of 'Police Woman' performed.
'Synthesizer' contains an interpolation of 'Rock Dirge' performed. 'SpottieOttieDopaliscious' contains excerpts from 'Dancing with the Moonlit Knight' performed. 'Y'All Scared' contains interpolations from 'Air Born' performed.
Personnel Credits are adapted from. Musicians. Babyface – executive producer. OutKast – executive producer, producer.
Rules For Loose Change Card Game In my opinion the sentence may have suffered translation blues, at the very least, it is missing either a comma (.loses 1 Life Point, and the heart.) or a complete full stop (.loses 1 Life Point. Loose Change is a card game of counting money. On their turn, players add to the cards face down in the middle, trying to add up to a dollar. If you complete the dollar, you earn the cards. But be careful not to bust- for if you do, these cards count as negative points! Whoever has the most positive piles at the end is the winner. Educational family games. We play several games with the cards that are not outlined in the directions just to mix it up a bit. The game: Each player takes 4 cards, (you draw after every turn to keep a total of 4 cards at all times) then you take turns putting cards in the center until you get to $1.
Organized Noize – composer, executive producer, producer, programming. Mr.
DJ Sheats – arranger, mixing, producer. Courtney Taylor – coordination. Josh Butler – mixing. Jonnie Davis 'Most' – mixing. Shawn Grove – mixing assistant.
Claudine Pontier – mixing assistant. Brian Gardner – mastering. Blake Eiseman – engineering. Jean B. Smit – engineering. Bernasky Wall – engineering.
Ryan Williams – engineering. Ralph Cacciurri – assistant engineer. Ricco Lumpkins – assistant engineer. Alberto Perez – assistant engineer.
Jason Rome – assistant engineer. Kenny Stallworth – assistant engineer. Jason Stokes – assistant engineer. Katy Teasdale – assistant engineer. D.L.
Warfield – art direction, design. Nigel Sawyer – assistant art director, design assistant.
Greg Hawkins – artwork. Tom Smugala – photography Charts Chart (1998) Peak position 17 66 39 US 2 US ( ) 2 Certifications Region Certification /Sales Canada Gold 50,000 ^ United States 2× Platinum 2,000,000 ^.sales figures based on certification alone ^shipments figures based on certification alone See also. References. Nickson (2004), pp. Black Diaspora. CS1 maint: Untitled periodical. Huey, Steve.
Retrieved July 10, 2012. Sarig, 2007. September 7, 1996. Retrieved March 5, 2011. September 15, 1996. Retrieved March 5, 2011. Retrieved March 5, 2011.
^ Sarig, p. 171. ^ Carmichael, Rodney (June 24, 2010). Sharry Smith. Retrieved February 18, 2012. ^ Rys, Dan (September 30, 2013).
Retrieved January 28, 2014. Westhoff, 2011.
110. Westhoff, 2011.
111. ^ Warren, Emma (October 12, 2011).
Aquemini
Retrieved September 14, 2013. ^ Baker, Soren (October 25, 1998). Retrieved January 28, 2014. ^ Huey, Steve. Retrieved September 13, 2013.
^ (September 27, 1998). Retrieved September 13, 2013.
^ Austerlitz, Saul. Retrieved May 10, 2014.
Herrington, Chris (October 14, 1998). Retrieved May 10, 2014. ^ Hughes, Dave (September 29, 2008). Retrieved September 13, 2013. ^ Fernando Jr., S.H. (September 4, 1998). From the original on April 18, 2008.
Retrieved September 13, 2013. ^ Sarig, 174. Miller, 2010. Pp. 38–39.
^ Hess, p. 462. Wang, 2003. 133.
^ Sarig, p. 172. Sarig, pp. 173–174.
^ Conniff, Tamara (July 22, 2006). Retrieved August 6, 2013. Browne, David (August 12, 2011). Arthur Ochs Sulzberger, Jr. Retrieved January 28, 2014. October 7, 1998.
Harris, Chris (August 30, 2006). Retrieved May 10, 2014. Retrieved February 14, 2014. December 8, 2003. Retrieved May 11, 2014. April 15, 2005. Maha chor 1976 720p.
Retrieved May 11, 2014. Kyles, Kyra (October 18, 1998). Retrieved November 14, 2017. (Subscription required ( help)). Christgau's Consumer Guide: Albums of the '90s. Retrieved September 13, 2013.
^ Tyehimba, Cheo (November 6, 1998). Retrieved September 13, 2013. ^ 'OutKast: Aquemini'. ^ Green, Tony (December 1998). 14 (12): 178. Retrieved September 13, 2013. 'OutKast: Aquemini'.
^ Jones, Steve (September 29, 1998). 'OutKast: Aquemini'. access-date= requires url=. Wang, Oliver (2003). Retrieved April 16, 2016.
Michael, Sia (October 27, 1998). Retrieved September 13, 2013. Braxton, Charlie (November 1998). Retrieved August 6, 2014. ^ Stelloh, Tim (February 6, 2004). Retrieved September 13, 2013. (May 31, 2009).
Retrieved September 13, 2013. ^ (April 27, 2011). Retrieved September 13, 2013. Richards (August 13, 2013). Retrieved September 13, 2013. Pitchfork Staff (November 17, 2003).
Outkast Aquemini Tracks
Retrieved September 13, 2013. January 1999. Retrieved November 14, 2017. September 1999. Retrieved September 17, 2013. February 15, 2012.
Retrieved September 17, 2013. March 22, 2004. Retrieved September 17, 2013. April 18, 2013. Retrieved September 21, 2013.
Retrieved September 21, 2013. 'The 100 Greatest Rap Albums 1995–2005'.
Infamous Ink. January 2006. Schmelling, Michael (2009).: OutKast's Aquemini.
'The Ultimate Music Colelection'. April 15, 2005. Retrieved September 13, 2013. Pitchfork Staff (September 3, 2010). Retrieved September 13, 2013. Odeisel and OutKast (March 27, 2008). Retrieved September 13, 2013.
The University of Michigan. Wilson Company. January 2004. Retrieved September 13, 2013.
Wink, Matt (November 29, 2011). Retrieved September 13, 2013. Green, Tony (March 1999). Retrieved September 14, 2013.
Moore (October 22, 2012). Retrieved November 25, 2012. Dan Jackson (October 31, 2012). Archived from on November 8, 2012. Retrieved November 25, 2012.
^ Aquemini (CD liner). Retrieved September 14, 2013.
Retrieved February 14, 2014. If necessary, click Advanced, then click Format, then select Album, then click SEARCH Bibliography.
Hess, Mickey, ed. Icons of Hip Hop: An Encyclopedia of the Movement, Music, and Culture. Miller, Kiri, ed. (June 21, 2010).
Traveling Home: Sacred Harp Singing and American Pluralism (Music in American Life). University of Illinois Press. (September 1, 2004).
Hey Ya!: The Unauthorized Biography Of OutKast. Sarig, Roni, ed. (May 1, 2007). Third Coast: OutKast, Timbaland, and How Hip-Hop Became a Southern Thing. Da Capo Press. Wang, Oliver, ed.
(May 1, 2003). Classic Material: The Hip-Hop Album Guide.
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Comment by user423897274
it's like that now
Comment by user423897274
be..strong.. Blackieonasis
Comment by ROYCE ROLLZAE
https://m.facebook.com/roycerollzay/albums/712990119109477/
Comment by Eddie Robinson
'shake that load off' .. ya heard me ?
Comment by Amaan Kazmi
Love this so much
Comment by ChangLee
joe mama
Comment by ChangLee
This is Joe
Comment by realmistuhvelez ♅
Oskie woahskie
Comment by lil Bat
fire
Comment by Alvaro Cravero
auqemini
Comment by Kelvin Baltimore Jr.
Album overall is a pure classic
Comment by CornMan
damnnn
Comment by Γιάννης Αναστασόπουλος
Aquemini